In Real Life

What It's Like To Judge A Cosplay Competition

Competitions are one of the cornerstones of the cosplay community. Whether they’re high-stakes national competitions like Madman Nationals or Oz Comic Con’s Championships or just your local games store’s cosplay weekend, there’s a lot of them around. Entering them can be a great experience, but judging them is whole other ballpark.

Image via Kris Ezergailis / RTX Australia

It’s hot. I’m sweating in my ballgown — the hoopskirts uncomfortably crammed into a narrow auditorium seat. I really didn’t think this costume choice through. We’re only halfway through the competition and I’ve already picked out eight cosplayers who deserve one of the four prizes on offer. I’ve been in cosplay for the whole day and it’s rounding on 5pm, I’m fading fast and the cosplayers on stage aren’t doing any better — though I’m the lucky one, I at least have a seat and a cold bottle of water. But judging isn’t quite the walk in park it may seem.

Image via Kris Ezergailis / RTX Australia

One of the biggest appeals of cosplay is the huge range of costumes that come under that umbrella — from huge ball gowns to suits of armour — and the number of techniques used to create said costumes. This does, however, make things harder when it comes to judging a cosplay competition.

How do you compare an intricately embroidered princess dress and an ambitiously foam-built Iron Man suit? Do you reward ambition in scale or do you look for perfect, precise execution? Should your winner be someone who has stretched themselves or someone who is doing what they know very, very well? These are the things you have to think about as a cosplay judge.

As a cosplay baby I religiously entered competitions, but things have changed. Back then you’d rock up, parade across stage and sit down to wonder if you’d done enough to earn a prize. Judges sat anywhere from one to ten meters from the stage, and sometimes you’d wonder if they even saw your costume at all.

In the last couple of years the stakes have been higher than ever, with conventions giving prizes including everything from trips to overseas conventions, to cash prizes of up to $1500 — the latter being a prize I had the pleasure (and the incredibly difficult task) of helping to award.

Of course it wouldn’t do for judges to be making a decision based on a glimpse and a vague impression in such serious competitions, which is why prejudging has become increasingly important. Prejudging is when the contestants meet with the judges before the competition, showing off costumes up close, providing details on how it was made.

Image via Steamkittens

It’s a pretty fun experience for the judges, though often a nervous one for the cosplayers. Sometimes there’s a bit of good judge/bad judge behind the scenes, though I’ve yet to meet the true Simon Cowell of cosplay. Perhaps because this is a process where even the most experienced judges tend to learn something.

Having up to 100 cosplayers discussing their costumes is a tiring process, but also a rewarding one. You get 100 fresh perspectives on how to approach a tricky costume piece. You get people who are using the newest and most expensive in cosplay technology, and you get people who had a field day at their latest council clean-up and cobbled together an impressive creation on a budget of $10.

The prejudging process does have its drawbacks, unfortunately. While it allows judges to go up close and personal with costumes and see details they otherwise would have missed, the audience — and even the other cosplayers — are still stuck viewing the costumes from a polite distance. This means anyone and everyone is going to disagree with who should have taken home the prize — but like they say, opinions are like arseholes.

Image via Kris Ezergailis / RTX Australia

I don’t know if I’ve ever been a part of a cosplay comp — whether competing or judging — that hasn’t had at least a little manufactured controversy. Earlier this year while judging a competition that ran across two days, I rocked up to the Sunday comp to hear that a whole lot of people had (apparently) decided that we had chosen the wrong winner from Saturday’s bunch.

Cosplay is an interesting community where the idea of a cosplay professional is highly subjective — you can’t get a degree in cosplay and there are very few cosplay-related job titles that exist in the world — so when people start judging your judgment, the easiest way to do it is to question your ‘qualifications’ for being a judge.

Interestingly enough, back when I actually entered the competitions myself, I can’t even remember who the judges were. They may have been convention staffers, and a couple of cosplayers who had won a few competitions of their own — but there was no big emphasis on having the ‘big names’ of cosplay on those panels.

More and more, however, judges have been chosen for their renown, for being a big name to attach to the competition and the convention. It’s perhaps no surprise that cosplayers are questioning decisions to pick popular cosplayers who have never entered a competition themselves in their lives. Of course not entering competitions shouldn’t automatically mean that they don’t know what good craftsmanship looks like — but the question of who is ‘qualified’ to judge has long been a tricky one.

Oz Comic Con have taken a new approach to this, with a strict selection of judges for all rounds of their Australian Championships of Cosplay. OZCC’s approach has seen not only international cosplayers such as Yaya Han being brought in, but also local professionals in the costuming and makeup industries — with experience that runs to stage and film more than the convention floor.

Image via Kris Ezergailis / RTX Australia

These questions, the long hours and the general discomfort aside, being a judge is always completely worthwhile at the very end when you get to announce the winners. Of course, there are never enough prizes for the people who deserve them, but in a pastime that can often be incredibly thankless, it’s a great feeling to be able to reward at least a few cosplayers’ effort and hard work.


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