Among the big movie trailers and the huge lines for fancy exclusive toys, it’s pretty standard to mock that Comic-Con isn’t really about the comics any more, but it’s still home to the awards ceremony for one of the most prodigious awards in comics-dom: The Eisners. Here’s your list of this year’s winners!
Best New Series: Paper Girls by Brian K. Vaughan and Cliff Chiang
Best Limited Series: The Fade Out, by Ed Brubaker and Sean Phillips
Best Continuing Series: Southern Bastards by Jason Aaron and Jason LaTour
Best Reality-Based Work: March: Book Two by John Lewis, Andrew Aydin, and Nate Powell
Best Graphic Album — Reprint: Nimona by Noelle Stevenson
Best Graphic Album — New: Ruins by Peter Kuper
Best Short Story: “Killing and Dying” by Adrian Tomine in Optic Nerve #14
Best Single Issue/One-Shot: Silver Surfer #11: “Never After” by Dan Slott and Michael Allred
Best Anthology: Drawn & Quarterly, Twenty-Five Years of Contemporary, Cartooning, Comics, and Graphic Novels edited by Tom Devlin
Best Digital/Webcomic: Bandette by Paul Tobin and Colleen Coover
Best Publication Design: Sandman Gallery Edition, designed by Josh Beatman
Best Lettering: Derf Backderf (Trashed)
Best Colouring: Jordie Bellaire (The Autumnlands, Injection, Plutona, Pretty Deadly, The Surface, They’re Not Like Us, Zero, The X-Files, The Massive, Magneto, Vision)
Best Penciller: Cliff Chiang (Paper Girls)
Best Painter/Multimedia Artist: Dustin Nguyen (Descender)
Best Writer: Jason Aaron (Southern Bastards, Men of Wrath, Doctor Strange, Star Wars, Thor)
Best Writer/Artist: Bill Griffith (Invisible Ink: My Mother’s Secret Love Affair with a Famous Cartoonist)
Best Cover Artist: David Aja
The Russ Manning Most Promising Newcomer Award: Dan Mora
Bill Finger Award for Comic Book Writing: Elliot Maggin
Best Comics-Related Periodical/Journalism: Hogan’s Alley, edited by Tom Heintjes.
Best Comics-Related Book: Harvey Kurtzman: The Man Who Created Mad and Revolutionised Humour in America by Bill Schelly
Best Academic/Scholarly Work: The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art, edited by Frances Gateward and John Jennings
Best U.S. Edition of International Material: The Realist by Asaf Hanuka
Best U.S. Edition of International Material — Asia: Showa, 1953 — 1989: A History of Japan by Shigeru Mizuki
Best Adaptation from Another Medium: Two Brothers by Fabio Moon and Gabriel Ba
Bob Clampett Humanitarian Award: Matthew Inman of The Oatmeal
Best Publication for Early Readers (up to age 8): Little Robot by Ben Hatke
Best Publication for Kids (ages 9-12): Over the Garden Wall by Pat McHale, Amalia Levari, and Jim Campbell
Best Publication for Teens (ages 13-17): SuperMutant Magic Academy by Jillian Tamaki
Best Archival Collection/Project — Strips: The Eternaut by Héctor Germán Oesterheld and Francisco Solano Lòpez, edited by Gary Groth and Kristy Valenti
Best Archival Collection/Project — Comic Books: Walt Kelly’s Fairy Tales edited by Craig Yoe.
Best Humour Publication: Step Aside, Pops: A Hark! A Vagrant Collection! by Kate Beaton
The Spirit of Comics Retailer Award: Orbital Comics
That’s a lot of great comics to add to your reading pile (if you’re not reading them already!).
Comments
5 responses to “Here Are Your 2016 Eisner Award Winners”
The mix of upper and lowercase letters in the award logo is really awkward.
Paper Girls is rad.
That logo is just hideous. That’s what I took from this article lol.
I do believe that is the great man’s signature not just a random assemblage of offensive typeface.
I’m talking about the whole thing from a design stand point. The type face looks like it’s ripped from a Disney letterhead, regardless of it being his supposed hand writing. The weird interlaced top part is just hurty to the eyes and the way the whole thing is constructed is inelegant and messy. Like a hodge podge of random elements. Clearly I feel strongly about this kin of thing lol.