Inception Review: Video Games Should Be Jealous

Inception is a big movie about flexible dreams and stubborn minds, but it is also a sorting hat. Try it on and you will know if you're a gamer, or if you're not.

This most mysterious summer blockbuster comes from Christopher Nolan, director of two morose and mighty Batman movies as well as the clever and captivating Memento, a film told in reverse. The lead is Leonardo DiCaprio's Cobb, a man of special abilities who embarks on the never-smooth "one last job" before the retirement and return to family for which he dreams. His talent is the invasion of people's dreams, usually perpetrated with an Ocean's 4 or 4 of crafty, quirky fellow invaders. For his last job, however, he must not simply invade the dreams of an heir to a corporate empire but implant an idea in the subject's mind, an idea the subject will think is his own. This is the act of Inception which we are taught during the film is nearly impossible.

Like a heist movie or a super-hero film, the first half of Inception is a period of instruction and learning, a laying out of how the physics of this movie's world and its heroes can operate, before the latter half unfolds the great event. Both halves involve the world-bending, level-creating, rule-establishing standards of the video game, the engaging magic that compels so many of us to play. If you've played many video games, therefore, so much of Inception may feel both thrilling and familiar. So is it the best video game movie not based on a real video game since.. . Tron?

Loved Puzzle Game: Like Memento, Inception is a vision wrapped obscured in the gauze of unconventional storytelling. In this film, the "but it was just a dream" cliché of bad stories is merely the transition from one scene to the next, with an alarming caveat that that "but" is not quite right. And it was just a dream, would be more appropriate, as the movie's heroes explain to each other the rules of consequence involved in invading dreams. Inside these dreams there are security defences, emergent suspicious agents of the dreamers' psyche, possibly suppressed overlapping anxieties manifest as treacherous revived wives or frustratingly locked safes. There are rules involving what happens if you get shot in dream fatally or non-fatally, what happens if your dreaming body is shaken and what happens if you dream inside a dream. These rules and the repeated reminders of them resemble the complex parameters of a deep video game and encourage the viewer to watch how the characters follow them, keep an eye out for rule-changes and begin to foresee the consequences of the next move based on their building knowledge of how all this stuff can fit together. Watching Inception is a puzzle game.

The Modding: One of the moments that will separate the gamers from the non-gamers is when DiCaprio's Cobb asks new recruit Ariadne (Ellen Page) to draw in two minutes a maze that can be solved in one. Is this an amazing request or one I already did in my own way two weeks ago when I laid out a new track in ModNation Racers? Cobb brings Ariadne into a shared dream and teaches her to design and morph dreams. They call the dreams "levels" in this game, inviting the game design comparison. As seen in Inception's trailers, road can be bent back onto itself, making pavement sky. Bridges can form from nowhere; optical illusions stepped on. Any modern gamer will recognise Ariadne's dream-shaping experiments as the things they've done re-shaping levels in games they've player. What seems to unreal to some Inception viewers will seem so real to those in the audience who have played games. They - we - will nod and think, yes, this is part of the fun I've been having while wide awake.

The Platforming: Super Mario Galaxy 2 and Inception are cousins in the bending of architecture and the inverting of gravity. Nintendo and Nolan have created wonderful landscapes on which their characters can traipse, and while Mario gamers will recognise some of the Inception in-dream tricks as those they've seen in games before, to see them in a movie about brain-invading idea-planting, perpetrated by a Leonardo and friends rather than Mario and co. is going to be fun for everyone.

The Boss Battle: Inception's final action scene - the carrying out of that "one last job" - is a complex, four-layered Russian Doll scenario that lasts the final third of the movie. It is perhaps too long but it is clever, partially reminiscent of war game Call of Duty, partially of brain-invading game Psychonauts, but magnificent in scope and impressive in the amount of world-bending concepts it expects the audience to track. It's a bravura finish.

Hated The Princess In The Other Castle: The clever game-like structure of Inception is unfortunately welded to an unfortunately other common video game trait, a shallowness of emotion. The heart of Cobb's quest is the anguish he feels about the fate of his deceased wife, whose presence he re-encounters in dream after dream. Her appearances threaten to shatter the sleeping illusions and ruin both his one last job and his life. In dreams, however, his wife feels less like a person than the ideal of a wife, the fakest character in the film. This is possibly a commentary on our inability to retain in our mind a true vision of a loved one rather than a simplified snapshot. But even if that is the case, it leaves DiCaprio's yearning for her without convincing emotional gravity and his wife's character without convincing appeal. The woman for whom he yearns seems less a convincing person of desire than an object. If I may make another video game comparison to those in the know, think Braid, in which the yearning of the lead character was evident but it was the mechanics of seeking that object of desire that was for the audience (the players) the far more compelling draw.

It surprises me not at all that the video game creators and players whom I follow on Twitter have been raving about Inception for days. The film is a fun alternate take on the act of making and playing games, on the empowerment of modifying worlds that both gamers and game makers enjoy. Performed beneath a dirge of a Hans Zimmer soundtrack and with that gaming ratio of too-much-action-too-little-convincing-emotion, it is a movie that will feel so familiar to gamers and so exciting. It's a demonstration to the rest of the world of what video gaming can be like, just as it is a fun caper about the great sci-fi notion of invading dreams. Video games should be jealous that moviegoers can be so thrilled about what is great about video games by something that is not a video game. This movie does video games proud.

Inception was written and directed by Christopher Nolan, stars Leonardo DiCaprio, Joseph Gordon-Levitt and Ellen Page, and was distributed by Warner Bros. Released in North America on July 16 (July 22 in Australia). Watched the movie to completion.

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    "...that that “but” is not quite write".

      The whole article seems to have skipped the proofreading stage.

      Despite that, I'm now considering breaking my lifelong "no movies with Leonard DiCaprio" rule to see this.

        It's dangerous to do that, passing movies because you don't like an actor. I almost didn't go see the Matrix because I whinged about not liking Keanu.

        Under the right direction Dicaprio has broken out of his 'so hot right now' phase to produce some amazing performances.

          But still, should we forgive him for not seeing any of his movies.
          No doubt he is judging this magnificent being on his Titanic performance.

          Inception should not be the movie that makes you see a DiCaprio performance. I can not judge the movie itself yet - but I don't think ANYTHING compares to his performance in The Departed. For DiCaprio's sake, I hope something in the future is greater cause he well and truly deserved an Oscar. But start off with movies like The Departed and Blood Diamond.

          Then move onto Catch Me If You Can.
          I still can't believe this guy - avoiding classic movies cause of some young talent in Titanic grew into one of the greatest modern actors of our time are in them. Pathetic, it's a lifelong rule a Twilight fan would abide by.

    This movie was a whole lot of to do about nothing. They should have sent the son an email and just told him to divest his fathers empire or Obama would come after him. My impression was that most reviewers did not recognize this for what it was, simple plot, over inspired special effects and pandering to those who dream... duhh, everyone. The music was overblown as DiCaprio's middle aged angst. I think it is hip to go along with the people who claim the van guard with this kind of nonsense, but at the bottom of all this was that people just don't sleep well in the city and never will. Most to the country for Christ sake.

    Since when does Kotaku do movie reviews? or have i just missed them?

    I am interested in the movie, but only for the cool looking special effects. Story seems ok, but i've never been into the whole 'dreamer' thing, so its not all that appealing

    Isn't this movie the very definition of "thought crime?"

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