Why Netflix's Death Note Is Really An Origin Story

One of the most common criticisms of Netflix's Death Note movie is that it tries to cram too much into a fairly short running time.

According to director Adam Wingard and producer Masi Oka, however, the intention wasn't to adapt the original manga as much as tell the story of Light before he gets to the place the manga shows him in.

Margaret Qualley, Nat Wolff and Adam Wingard on the set of Death Note. Image: James Dittiger/Netflix

"To me, it was always about sort of the origin story, and that even though we were just very loosely basing it off the original source material, that, you know, [it] was just about the beginning of it," Wingard told me.

Netflix's Death Note follows Light (Nat Wolff), a disaffected high school student, as he finds the Death Note, a book that kills anyone the bearer writes the name of in it, so long as they picture the face of the person.

At the urging of Ryuk (voiced by Willem Dafoe) and Mia (Margaret Qualley) -- a sort of manic pixie dreamgirl who is also very into murder -- Light starts killing "bad" people and gains fame as a vigilante named Kira.

He's pursued by a task force in his home city of Seattle, led by his father (Shea Whigham) -- and then a wunderkind investigator called L (Lakeith Stanfield) shows up to aid in the hunt.

The climax is, of course, during homecoming. Because this is a coming-of-age-through-killing story, after all, and every high school movie needs some dance-related drama.

"We wanted to make this as an original story that kind of ends where the manga starts," said Oka. "Light in the film ends where Light in the manga kind of begins."

One of the keys to doing that was shaping the character of Mia, who is very different from the Misa character from the manga. "One of the most interesting things about our film was that this isn't a movie about giving the Death Note to Light. It's really about giving the Death Note to Light and Mia, which really creates and give birth to this kind of phenomenon," explained Wingard.

In the original story, Misa seeks out Light/Kira because he punished the man who killed her parents. She's very devoted to him and trades some of her life for certain supernatural attributes. None of that is in the character in the movie.

"She is a very mysterious character in the sense that we don't know too much about her background. But I did think there was something interesting about the coupling of [the two characters] being the foundation of the movie. This is in some ways is about high school kids in their first relationship," Wingard explained.

The creation of Mia also meant they could step back with Light. "You know, the idea is almost like, Mia, in some ways, is as more like the original version of Light, personality-wise," said Wingard. "You know, she's a bit more sociopathic in that same kind of way."

Mia being very different from Misa means she wouldn't appear in a sequel going through any of the things Misa does, which was my expectation going into the movie. "That's always our intent, to blow people's expectations out of the water and do things that people don't expect," said Oka of the changes.

One other big change is to L, who now has a background as someone raised in a sort of super soldier project. That's why his intellect and abilities are so outside the realm of regular people -- and why he's so weird. That new background, said Wingard, could definitely be part of a sequel.

"I think the exciting thing would be to check in with Light a few years later and see where he is, and also be able to see where L has kind of eluded his background, his programming. I think that's where the other detectives and stuff would come into play," he said.

"Light in this version is much more kind of naive and altruistic, I think. And so, if this is his origin story, it's interesting to kind of see how he would be a dark person as it goes. Because in the sequel, he wouldn't have that father figure. His dad -- even though it doesn't seem like he's going to turn him in, [it] definitely seems like that they would be estranged from each other at this point."

At the end of the day, Wingard says to watch the movie more than once. There is a lot hidden behind the obvious. "Some things might seem kind of looser or excessively mysterious in the first viewing, but I think there's clues and answers in it, too."

"But the thing is that they're very much of this film. It's not like, you know, go back and look at other Death Note stuff and figure it out."

Death Note is now available on Netflix.


Comments

    Obvious product placement in that picture is obvious.

    I thought the criticism was it was just shit..because it's shit. Like most American attempts.

    This explanation makes no sense and contradicts the movie. The manga series starts with the origin story. Light finds the Death Note, Ryuk appears and then Light decides to write a name. He then goes on to bring his own form of justice to the world in the form of Kira, bringing L into the picture. The movie is exactly the same line of events.

    One other big change is to L, who now has a background as someone raised in a sort of super soldier project.I thought that's how it always was because that's why Mello and Near come into the picture in the manga series. Not exactly as super soldiers but as a group of orphans raised to be super-detectives.

    I thought the movie was ok, as a guy who has never come across the Manga.

    I wasn't sure if it was serious or a comedy in places, though.

    I give it 7/10, as I think it could have been much better had the movie taken on a more serious tone overall. I couldn't help but giggle at times I don't think I was supposed to.

    One of my biggest issues, is the way they handle the detention. Here we are with Light getting caught doing all the jocks assignments for money, and he gets 2 weeks detention.

    That shit dont fly in my view, Light would of blackmailed the principal by aiming to go to the press exposing the athletic cheating program, costing all the athletes scholarships.
    We would get an insight into how his mind works, and it would add a depth to his character, that wasnt instead passed onto Mia.

    The only cleverness from Light is right at the end, with all the events leading up to, suggest he doesnt actually have it in him to be this clever.

    Then there is the Scene with him walking through the school corridors with Mia in tow, and it cuts to the Jocks giving him the stink eye, but nothing comes of it, id bet good money there is a scene on the cutting room floor, where the Jocks try to beat him up for taking Mia away from them, and Light and/or Mia threaten to put their names on the Kira website to kill them.

    My partner turned to me when we were watching it asking if we should watch the original to cleanse the palette so to speak, because it feels dirty watching this movie

      Spot on, the best part of the original was how Light handled things, none of this came across into this adaptation.

    これは私が今までに見た中で最悪の映画です。

    I guess I kinda see it. I did remark that the ending was practically the only Light-like thing Light actually did in the movie, and in that context it kinda makes sense for it to be an origin story of sorts.
    But if you count it as an origin, then L already knows 100% who Kira is, so it's kind of a sucky origin.
    Plus, I got the impression from this Ryuk that this L put Light's name on the page. I know they left it 'open', but unlike the manga/anime version, this version of Ryuk doesn't seem like he'd be that amused if L chose not to write Light's name down.

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