FLCL: Progressive's Premiere Is Good, But Tame

Fooly Cooly: ProgressiveImage: Adult Swim

"There is no amount of weed that will make this make sense," said a college boyfriend a few minutes into the iconic 2000 anime FLCL. After 18 years, demented and amazing teen angst anime FLCL is getting two sequels, the first of which airs June 2. Its premiere episode is easy to watch and, disappointingly, a little sobering - not the kind of experience we might expect from its brain-breaking precursor.

FLCL takes the term "wet dream," rolls it up tight and smokes it. A staple of anime youth, FLCL follows 12-year-old Naota Nandaba who, after getting run over by an alien girl in a vespa, sprouts giant robots from his head.

The alien Haruko acts as a catalyst, drawing out Naota's inflated and powerful head robots to gain power and fight a corporation called Medical Mechanica. It's as muddled and horny as adolescence. To commemorate the second-coming of Fooly Cooly, some buddies and I marathoned the anime's first season from under a cloud of stinky vapour and armed with bags of cookies.

To quote FLCL's director, "comprehension should not be an important factor in FLCL."

FLCL: ProgressiveImage: Adult Swim

FLCL: Progressive starts airing on Adult Swim June 2. Its first episode is very good by 2018 standards, but didn't feel much like FLCL's edgy spiritual successor. Going into the preview, my optimism and excitement were tempered a little by the episode's tropiness - something we see a lot in anime today, but didn't as much back in 2000.

Years after the events in FLCL, a girl wearing glowing cat ear headphones (the kind otaku gamers might wear) walks through a crumbling black and white city. There's a red horn on her head, reminiscent of Naota's, which spurts out mechanica. The girl, Hidomi, is an antisocial high-schooler with a too-peppy mum, who refers to her daughter as a "tsundere," a self-aware anime trope describing cold girls.

FLCL: ProgressiveImage: Adult Swim

Unlike FLCL, FLCL: Progressive's writing isn't striking until we encounter Hidomi's teacher, who monologues about the depraved, valueless youth in her classroom. Other than that, the dialogue felt in line with other modern, crowd-pleasing anime: driven by character types.

Without revealing too much, I can say that some of the big moments in the episode were predictable, while watching 2000's FLCL felt like riding a roller coaster along Heisenberg's uncertainty principle.

Thankfully, FLCL: Progressive's soundtrack doesn't let down. The Pillows returned with their delightfully grungy alt-rock and it brings back all sorts of teen feelings like "nothing matters" and also "everything keeps mattering so much." In the episode's killer action scenes, that soundtrack got high-octane and even a little metal.

FLCL: Progressive's first episode kind of made sense. I didn't feel like I was swimming under a tidal wave of adolescent weirdness. It was a good preview, but felt a little more normie than FLCL. Nobody needs to do drugs to get it. Hopefully, the next few episodes will change that.


    So, how much of the soundtrack in this first episode was Pillows songs and how much was instrumentals by someone else?

    Hmmm. That may indeed be the problem, since FLCL was perfectly comprehensible without any mind altering substances, so it stands to reason the sequel would as well.

    Then again, I'm the walking Avatar of Absurdity at work, and apparently appreciated for making Government work bearable.

      FLCL's absurdity was only skin deep. The layers of sense and meaning underneath are worthy of encyclopedias dedicated to them.

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