You could say that Hitman 2 is “more Hitman.” I would agree with you. However, if you like Hitman, you always want more Hitman. Besides, Hitman 2 isn’t just “more Hitman” — it’s a lot more Hitman. I present to you a relaxing little video in which I philosophise in poetic vocabulary about this game series I have always loved.
If you asked me two weeks ago which triple-A video game series was most suitable to an internet video with Mozart playing in the background, I might not have said Hitman. Today, however, I’m saying it’s Hitman, and I am also proving it’s Hitman.
[referenced url=”https://www.kotaku.com.au/2018/11/hitman-2-the-kotaku-review/” thumb=”https://www.kotaku.com.au/wp-content/uploads/sites/3/2016/03/hitman3-410×231.jpg” title=”Hitman 2: The Kotaku Review” excerpt=”Hitman series protagonist Agent 47 isn’t an interesting guy. Despite his gleaming, barcoded head, he disappears into a crowd. He can somehow pass for anyone, no matter how famous; he can seamlessly live their life and look great in their pants. He uses this ability to wreak havoc everywhere he goes.”]
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