Ghost In The Shell Director Mamoru Oshii On This Year’s Biggest Anime Hit

Ghost In The Shell Director Mamoru Oshii On This Year’s Biggest Anime Hit
To sign up for our daily newsletter covering the latest news, features and reviews, head HERE. For a running feed of all our stories, follow us on Twitter HERE. Or you can bookmark the Kotaku Australia homepage to visit whenever you need a news fix.

When people look back at 2020, for all its awfulness, one bright spot will stick out in Japan: the runaway success of Demon Slayer.

The manga debuted in 2016 and recently ended its run. Last year saw a TV anime. But this year, Demon Slayer exploded. As of writing, the animated feature film has dominated the box office, while the manga has ruled the sales charts. its success is truly staggering.

Yet, Mamoru Oshii, the famed director of the 1995 anime feature Ghost in the Shell, isn’t bullish on Demon Slayer becoming a long-running institution like One Piece or Dragon Ball. Instead, he chalks up its success to going viral.

In a recent interview with Bunshun Online, Oshii was asked why Demon Slayer is such a huge hit. He replied that hasn’t seen more than YouTube footage of the anime, but added that he has some basic knowledge of it. “The original manga is popular with people, and the illustrations are carefully done,” Oshii continued. “But it’s not like the characters or the story are new.” This does not seem to matter. Toho Studios, which is distributing the Demon Slayer film, told NHK that over 22.5 million people had seen the movie.

Oshii recalled something that Studio Ghibli producer Toshio Suzuki once said: A work can appeal to a million people, and anything above that is a social phenomenon.

This is an excellent point, and it does remind me of how Yokai Watch captured the imagination of Japanese children in 2014. But the trend ended, and as Kotaku reported last year, Yokai Watch is having a terrible time in Japan.

But, as the case of Yokai Watch proves, massive success does not necessarily led to becoming part of Japan’s cultural fabric. It’s a question of whether fans remain after the white-hot popularity has cooled. Some things, such as Pokémon, do not peter out and instead become institutions.

“Works that go viral become mega-hits,” Oshii continued. “One of the modern mysteries people want to know is why something goes viral.”

The reason could be simple. It could be that, as movie critic Yuichi Maeda told Reuters, Demon Slayer’s message resonates with Japanese audiences. “People in high positions act according to that — ’Noblesse oblige’, samurai, and so on. Those at the top become a shield for weaker ones, using their strength to protect them,” said Maeda. “That’s absolutely missing in modern Japan.”

Or, it could be that once something becomes popular in Japan, then inevitability, it snowballs through society. This is how trends supernova, but staying power can be elusive.

“Perhaps, I would imagine that another Demon Slayer movie will get made, but it’s doubtful it will be as big of a hit as this first one,” Oshii added. “I also think it’s difficult for it [Demon Slayer] to become a standard [anime] like One Piece or Dragon Ball.” In short, Oshii seems to think Demon Slayer is lightning in a bottle. Repeating its success, he indicates, will not be easy. What has made One Piece and Dragon Ball so iconic is that their popularity has endured for years — generations.

Oshii says “difficult,” but certainly not impossible. Demon Slayer is already on track to surpass Spirited Away at the box office. This year, it made a mark with the manga’s last chapter being published at the height of Demon Slayer-mania. Maybe it will return to regular serialisation, bringing more anime films. If so, the only thing that’s left to prove is future success. Easier said than done.

Log in to comment on this story!