Every time I've found myself explaining the basic premise of Mark Russell and Mike Feehan's Snagglepuss: Exit Stage Left, people's immediate reactions have been the same. At first, there's light shock that DC would make a comic about a gay, closeted, anthropomorphic mountain lion and noted playwright. But then, after hearing more of the plot - how Snagglepuss becomes the newest target of the House Un-American Activities Committee's crusade to oust subversive voices from Hollywood - their reactions shift.