Ex-BioShock Developers Are Making An Arty Version Of Oregon Trail

Ex-BioShock Developers Are Making An Arty Version Of Oregon Trail

We’ve all heard the story many times now: talented game developers leave their corporate jobs to strike out on their own, turning to Kickstarter in the process. So what makes The Flame in the Flood stand out? Something about BioShock’s art director making a modern fancified version of The Oregon Trail, if you ask me.

But that’s only part of it. The Flame in the Flood is a spin on the roguelike genre, your main challenge in the game being to survive as you journey between a number of procedurally-generated islands on a raft. You play as a young girl named Scout, who travels around with a graying pooch named Aesop and sort of reminds me of the dog from Kentucky Route Zero at face value. Much like the The Black Glove, this is another Kickstarter project from a team made up of a lot of former Irrational developers. Notably, the Flood team includes Scott Sinclair, the art director for BioShock and BioShock Infinite. Combine that with an original soundtrack made by Chuck Ragan, and I guess it’s not a huge surprise that the game already looks pretty snazzy then:

So… in other words, The Flame in the Flood sounds like the beloved indie roguelike Don’t Starve, only dressed up in more of an Americana aesthetic and with more river-rafting and dogs involved? Well, maybe. This is one of those precious-looking indie darlings that’s popped up on Kickstarter boasting little more than a strong developer pedigree and some charming early artwork, so I can’t say for sure. The part that grabs my attention about The Flame in the Flood is when the developers get down to the nitty-gritty of its survival-simulation aspects. Here’s a relevant excerpt from a recent profile of The Molasses Flood, the newly-minted studio that’s formed around the game:

Scout must survive at all costs, and much of the gameplay involves fulfilling her basic needs: staying fed, dry, and alive. Water is a key theme of the game; in this harsh landscape, getting wet means getting sick, something Scout can ill afford. Crashing your raft or just being caught in the rain can be as deadly as any predator. Drinking contaminated water can result in dysentery.

OK, hazardous environments. Fear of drowning and disease. The Kickstarter page also mentions “snake bites, fatigue, hypothermia, open wounds, and infection” as other possible causes of death… which is permanent, mind you. I like the sound of this.

Go on…

Speaking of predators, Scout must deal with those as well. Wolves and worse populate the wooded islands. Scout has no superpowers, so she must rely on stealth and her wits to survive. For instance, a pack of wolves could be distracted by fighting over a rabbit you caught in a makeshift trap, or killed by meat you poisoned with hemlock or another deadly plant.

Well, I’ve played enough Shadow of Mordorrecently to know that getting eaten by animals can be its own special treat. But being able to poison those animals? Sounds like some nifty Predator-style gameplay right there. One final passage about the crafting in the game:

Crafting plays a large role in Scout’s survival. The Molasses Flood’s workspace is filled with outdoor survival manuals and wildlife guides, part of its effort to base all the tactics in the real world. If you catch the flu, you might be able to cure yourself with penicillin made from moldy bread. You can eat the roots of cattails and use the tops to pack in your coat as insulation. Dowling gives an example of how the team crafts gameplay out of the natural world: “If you burn sumac in the real world it creates a poison gas,” he says. “Maybe there’s a tool in the game where you have an empty jar, burn the sumac, and capture the poison gas in the jar and make a ‘gas grenade.’ That’s about as far as it will extend into video game territory. It’s that half step past reality.”

Obviously, every game’s crafting and survival mechanics will require incessant tweaking and mindful balancing to succeed. But I love the spontaneity and inventiveness that they’re describing here. I mean: healing yourself with moldy bread? Can you get much more gritty and masochistically roguelike than that?

My only hope here is that by being a small indie studio with “total creative freedom” (as Game Informer emphasises at several points when discussing the shift from working in AAA games to leaning heavily on crowdfunding) means that The Flame in the Flood can really embrace its whackier, more ambitious ideas rather than just ending up as a pretty-looking alternative to, say, Metal Gear Solid 3: Snake Eater. Or the next Fallout, only with a rafting mechanic. Which is also a game I would totally love to play at some point, now that I think about it.

Read more about The Flame in the Flood at the game’s Kickstarter page.

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