In Defence Of Final Fantasy XIII

In Defence Of Final Fantasy XIII

Final Fantasy XIII is ten years old today, which means that 2019 is officially running out of ways to remind us of our mortality. It was a controversial entry in the Final Fantasy series, shifting the series’ usual approach to combat and ditching old traditions to tell a techno-thriller story starring deeply flawed heroes. To this day, fans react dramatically at its very mention. Looking back a decade later reveals a game with scars, but one which also deserves a critical reassessment.

This article has been updated since its original publication.

I’ll make a confession: the first time I tried to play Final Fantasy XIII, I quit in frustration. While the world is evocative and the visual presentation stunning, the game suffers from a few glaring issues. I’m not going to debate anyone who says it is difficult to play through. XIII introduced a larger setting called the Fabula Nova Crystallis, so the game had to set up a lot of deep and detailed backstory and lore, most of which was explained through database entries.

As a result, the plot’s core conceit, which involved god-like machines charging the game’s cast of characters with a seemingly impossible quest, was obfuscated behind jargon that often went woefully unexplained. What is a fal’Cie? What is a l’Cie? What was the exact nature of the Sanctum, the religious theocracy that pursued our heroes? These things were explained in passing, but it was easy to lose track of the plot. Between this and the beefy boss fights that stymied progress, it was sometimes hard to press onwards as context kept shifting and motivations were hazy.

Those are legitimate complaints about Final Fantasy XIII. Other complaints don’t hold up as well, such as the notion that its cast was whiny or ineffectual. The main protagonist, Lighting, might be taciturn but her arc is not fundamentally different from Final Fantasy VII’s Cloud Strife. She is a soldier redefining herself in the face of an existential challenge. She is a sister, a maternal figure, a warrior, a confused young adult. Final Fantasy XIII is ultimately about deciding who you are and defining your own purpose in life. The god-like fal’Cie charge our heroes with a quest that they need to complete lest they be punished by transforming into crystalline monsters.

The ultimate question of the game is whether or not to accept a status quo or radically redefine who we are. It’s a theme that plays out in several of the other characters’ arcs, as well. The initially clownish Snow Villiers brands himself as a hero, embracing his quest, only to eventually understand that he is acting more out of ego than responsibility. The young Hope Estheim vows revenge for the death of his mother, only to find that he cannot redefine himself into something he is not. Final Fantasy XIII’s cast struggles to take action, often finding themselves mired in despair or questions of the self. For fans eagerly awaiting heroics, it takes a long time before the cast stops reacting to things and start acting of their own accord.

Final Fantasy XIII is a story about messy people. People who lie to each other, people who are pushed to the brink. The most heroic thing each protagonist does is accept who they are, with all of the contradictions and messiness therein. This self-actualization is what grants each of them the powerful ability to summon Eidolons, spiritual saviors who also happen to be cool motorcycles and sword-lords.

Each and every protagonist reaches a point of despair, and the solution to saving themselves (and ultimately the world) is to accept that they are flawed. And yes, they do ultimately save the day and forge their own path, but Final Fantasy XIII is less concerned with the raw plot actions that occur and far more interested in the personal processes that lead to its climax. It is an emotional game, which led many gamers eager for adventure to eschew what they perceived as navel gazing. Looking back on the game’s story, though, it’s clear to me that the Final Fantasy XIII cast acts in a deeply believable manner given their extreme circumstances.

Another frequent complaint I hear about the game pertains to its structure. Talking with fans about Final Fantasy XIII often elicits an accusation: it is an extremely linear experience. This is true only insofar as features like the world map have been removed, and the ability to backtrack is often cut off as the plot propels characters from one area to another or else splits up the party entirely. Yet, the common consensus is that Final Fantasy XIII is a game of corridors. A game where you press up on the control stick and occasionally battle in an overly automated combat system. Within the context of the series at that point, that is a somewhat perplexing accusation.

Final Fantasy X, which I will suggest is among the most conherant and well put together role-playing games of all time, often features the same level design and corridor structure of Final Fantasy XIII. The previous game, Final Fantasy XII, had areas to explore and side-quests but often narrowed itself down. That game’s combat system stressed programming partner AI to play the game in a more automated way. From the sixth console generation onwards, Final Fantasy was constricting in structure. It wouldn’t truly break out of this until 2016’s Final Fantasy XV, but even that game similarly transformed into a “corridor”-laden adventure in the back half.

All of this is to say that while Final Fantasy XIII was so frustrating that I literally gave up playing it the first time, closer examination reveals that its greatest crime wasn’t a radical departure from the series’ norms. Many of its structural elements were beta-tested in previous games. The semi-automated combat is a slightly more active take on Final Fantasy XII’s autopiloting. The Crystarium levelling system, where players unlocked nodes granting bonuses, was not so dissimilar from Final Fantasy X’s Sphere Grid. No, Final Fantasy XIII’s crime was not that it was somehow magically different from everything else. Its sin was that it simply wasn’t what gamers wanted.

The fact that Final Fantasy XIII was not Final Fantasy VII has followed the game ever since and coloured conversation around it. Lightning was conceived by the game’s design team as a sort of “female version of Cloud,” and the game’s return to a science fiction setting after years of higher fantasy recalled Final Fantasy VII’s steampunk world. The idea of Final Fantasy XIII being a return to the days of the “best” Final Fantasy games was an intoxicating notion that didn’t quite happen. Fans took issue with the corridors, the cast—especially the women—and the combat. Why couldn’t Square-Enix give us our childhoods back?

Final Fantasy XIII is a rough game to play. Its ideas are half-formed, its heart larger than its ability to deliver an experience whose gameplay complements the story. It is very often, not “fun.” But from this maligned experiment, a much more satisfying trilogy emerged. When Final Fantasy XIII-2 released, it built upon the original’s world and added a slice of Chrono Trigger-esque time travel. Combat was faster and monster minions could be collected.

There were multiple endings and a villain with a far more compelling and understandable motivation. Its own themes exploring loss and failure combined well with XIII’s story of personal responsibility. After all, one of the things people do more often than not—even after understanding who they are—is lose. Final Fantasy XIII-2 is also a story about growth, about figuring out how to respond to an ever-changing world and understanding the ripple effect of one’s actions. It is a tragedy to pair with XIII’s victory. There is still so much more to learn.

The final piece of the trilogy, Lightning Returns: Final Fantasy XIII, is a budget title by the standards of the series. It elicits as strong a negative response with some fans as the original. What, they asked, is this fucking thing? This wild game where Lightning is some type of saviour angel whose powers come from costume changes. Why are we doing the strange Dress Sphere shit from Final Fantasy X-2? You know, the girly one? What is this anime bullshit? This knock-off Majora’s Mask set at the end of time?

The answer is that it is the natural conclusion for the series. Expression, empathy, identity. These are the things that Lighting (and the rest of the cast) have sought for the entire series. Of course combat involves costumes. Lightning has been forced into role after role for the whole series. Of course our heroes are broken again; the greatest thing anyone can do is fall and then rise again.

Lessons repeat, hearts break more than once. Lightning is given 13 days to solve the universe’s problems, problems which are the sum total of everyone’s personal issues. There is a scheming god to kill and a new world to create, but Lightning Returns posits that the ultimate battles are always against ourselves. Against the unfinished business we leave behind as we grow, about the words left unsaid, the obsessions we cannot let go without support. So she travels around the few shards of the remaining world, where time-displaced people contend with the fact that there is no more time. And she helps them. Helps them grieve for the lost, helps them admit their loves. Because that is heroism, as much as defeating a dastardly theocracy or fighting your rival in a sword duel.

Underneath the flashy costumes, the titanic struggles, and the scenery-chewing performances, the trilogy’s thesis shines true: Heroism is nothing more than the act of extending your hand, and pulling someone up to their feet.

This has always been the lesson of Final Fantasy. This is why Rinoa is the one who saves Squall with her love and acceptance. This is why Zidane rushes back to be at Kuja’s side as he dies. This is why Edgar cheats on his coin toss. This is why Lightning’s time as God’s chosen saviour involves so many errands. And this is why, ultimately, Final Fantasy XIII does fit within the rest of the series. When I think about it like that, I don’t really give a fuck about corridors.


  • Legit made an account just to make this comment.

    But thank you so much for writing this article, I have been a die hard fan of FF13 since it came out. I loved it from the very beginning, I have always found its soundtrack and visuals to be among the best in any game I’ve played, and really enjoyed the linearity of the game. I am honestly a bit tired of open world games with hundreds of side missions and minimal plot to drive you forward that a game that focussed on plot and point A > B was really enjoyable to me.

  • The plot … yeah, I didn’t get it. But it looked amazing. I quite enjoyed the battle system, and ended up playing a fair bit to craft the weapons and gear.

  • I was so disappointed by Final Fantasy XIII and I can’t believe that it got not one, but two sequels.

    I found the original XIII to just be… a mess. The story was confusingly boring, most of the characters I found unlikable, and the game seriously lacked exploration. Every point I visited was essentially start at point A, follow invisible corridor to point B.

    I heard that the game “does get good” about 25 or so hours, which is bloody ridiculous. 25 hours to get to the good part? No way.

    I also found the combat to be frustratingly tedious. I remember being on that pope guy’s ship (I forget his name or who he is exactly) and some of the fights alone on that ship took 30 – 40 minutes to finish.

    For its time, the game did have amazing graphics, imaginative environments and one hell of a soundtrack, but the rest of the game just fell completely flat.

    • The bigger world part started at the 25 hour mark, so that was the switch to the more traditional FF where you can explore areas not get shoved down corridors. Not that I ever reached it personally. Think I got as far as the airship once your get the full cast together but no further.

      Agree with your final comments, the tedium grind just to reach the more open traditional part of the game was just too much

    • Problem was at the 25 hour mark it didn’t get good. It just got a bit more open. There was this big green space for you to explore, but it didn’t have anything in it. No people to talk to, no towns to explore. It was just dull.

  • The biggest issue with Final Fantasy XIII is that the final boss is bullshit.

    XIII-2 is a much improved game, but Lightning Returns is garbage.

    • Nah man the biggest issue was the 25 hour grind to get to the open world. The final boss being such garbage was the icing on top, the final kick in the teeth as per se. It was a game that exemplified bad choice after bad choice in terms of game design that somehow noone thought to pick up on???

    • It’s funny, but I read that a lot back when the game was actively discussed, and yet my lightning was basically able to 1-command kill the boss. I must have been really overlevelled or something but I don’t believe I went around doing extra content or intentionally levelling.

  • I love the combat system of FFXIII, but not it taking 20+ hours to unlock everything. The characters also do kinda grow on you, but not Snow and Hope.

  • The criticism of corridors was misplaced IMO. Almost all FF’s are games of corridors. The problem was the lack of immersion… Where the hell are the people? The towns? The ability to explore at various parts of the game? People to talk to about the area and the current goings on? Nope.

    The story was a massive failure of presentation, like FFXV after it. I can recall like 10 times where I struggled to realise what the fk was going on until, by virtue of not playing the game through in massive sessions, the loading screen and/or chapter summary would fill in the gaps. The game does not present a lot of the more intricate, interesting parts of the story WHILE YOU ARE PLAYING THE GAME. It nearly requires you to read the damn datalog at every opportunity…This is a massive failing in my eyes from a company who has crafted some of the most enjoyable video game story lines I’ve played through. The final chapter was probably the only chapter that didn’t have this failure.

    The combat system was brilliant though. My personal favourite after FFVII. Assuming you actually played the game rather than just letting it play itself of course…

  • Unfortunately XIII is the only experience I’ve had with Final Fantasy, it wasn’t an enjoyable one and I didn’t finish the game. I’m going to give the FF7 remake a shot though.

      • 6 Was my first FF (back when I was in year… 7/8? and it was called 3 and I had to run it on a USA/AUD convertor) and I played it after Secret of Mana. I remember reading so many amazing things about it and I really enjoyed Secret of Mana so I went out and rented it.

        I was so confused when I did my first battle and it was turn based as opposed to the real time action of SoM (Of course this is what 12/13 year old me thought.. I know now in hindsight that the action bar that went up to 100% in SoM actually made the game semi turned based as well). I remember being like “Omg.. WHAT EVEN IS THIS?” and was confused that I would fight people who were my dimension when I bumped into them, and then turn into larger, more detailed “cooler” looking spirtes while my party stayed small and compact.

        To be honest, I was super turned off at first… BUT i persisted, and I can also attest that FF6 is one of the best RPG’s I’ve ever played. When FF7 came out a couple of years later on the PS, it was my reason to buy the console. FF7 was also amazing and I look forward to the Remake and then dying before the next chapters are released at full price :P.

        I think with the FF games I had an issue that I wanted more of the same from the previous entries but every time they would revamp it and change it and that irked me as a kid. I remember HATING FF8’s Draw system when I first played it. But later I would come to appreciate how truly over powered it would make you (giving characters 100 death on their weapon and just one shotting everything). I was annoyed that FF9 went back to swords and spells but out of all of them, it was the one I played the most to completion (that stupid chocobo mining/peckling game music will forever haunt my dreams). And FF10 was just a super pretty game that I did enjoy playing but I didn’t personally like the story. FF12 was where the series kind of lost me…. I played about 85% and then just stopped as I didn’t like any of the characters. FF13 I could just never really get into… the weird auto battle shit bugged me too much and the story was just whack. FF15 I have tried to get into multiple times but i HATE the combat in it. Like seriously… It just seems THROW WEAPON, TELEPORT, SPAM BUTTONS, PRAY. I know it is probably more complicated then that, but as someone who has completed all the Souls games and enjoys fluent and responsive Action RPG controls, I just couldn’t get on board with it.

        Played the FF7 Demo and I’m hyped but also not hyped as Midgar was my least favourite part about the original.

        /end rant

  • No. Just no. Every time this comes up, I’ve stupidly let myself wonder, “What if I was wrong, the last ten times I tried to play FFXIII and ended up hating it, myself, and the rest of the world before quitting in fury and disgust?”

    Because that is what happens. EVERY TIME. No.

    FFXIII might have a delicious, gooey centre, but that Does. Not. Matter. Because that tasty morsel of life lesons and character development is utterly and unavoidably buried beneath several dozen kilos of manure.

    I don’t care if there’s a wonderful, tasty chocolatey centre in the middle of all that shit. At the end of the day, by the time you GET to that centre, you are already up to your armpits in feces, it’s already covering your hands and filled your nose, and you can’t enjoy that nugget in the middle without scraping off layers of it to ensure that what’s left to consume isn’t tainted by the shit.

    And you don’t have to do any of that when there’s perfectly great games to enjoy that DON’T require you to slog through all of that shit!

    FFXIII is not worth it.

    • This is why I hate the “It gets good after X hours” argument that people use. If I have to sit through X hours of something I hate just to get to the good part when numerous other games have done it far better then I’m sorry, that game is not worth my time.

      • I’m willing to give some things time to ‘get good’, whether its a book, a TV series or a game. I’d rather experience something that picks up as it goes on, rather than have something that starts good, gets you invested, and just plummets in quality but you still stick with despite the diminishing returns.

        • Yeah but it needs to have that hook to give you incentive to keep going. Like…okay not much is happening right now, but the indications are there that it will pick up. There’s no point sticking with something and giving it time to get good, it needs to be good from the start and get better.

          • Which is fair. That is like writing, where you’re constantly told to start with a hook to get the reader’s interest. Of course, after that first ‘bam’ you can then cool it a bit with world building but keep building up again.

            On the topic of FFXIII, I enjoyed what I played of it, and prefer it to FFXII. XIII I played until I got to finding Adamantoise (which I think is the opened up part?) and getting annoyed with trying to kill one. XII I played until I got bored by all the desert and the street rat main character. Which was a lot sooner.

          • As someone who is currently playing through FF12: TZA on Switch, this saddens me greatly. I absolutely adore FF12 and its Shakespearean Star Wars vibe. It’s not my favourite game of all time or anything, but definitely my favourite Final Fantasy.

          • This happens with a decent amount of anime. I can forgive a weak opening episode – maybe two – where the time they’re spending setting the scene and establishing characters isn’t reflective of the real meat and potatoes that the remaining episodes are going to handle.

            Sometimes you can tell halfway through the first it’s going to be pure garbage. There’s a difference between, “This is poorly-written pulp that exists to sell fan-servicey figurines,” and “OK, they didn’t quite stick the landing on ep1, but let’s cut them some slack,” and anyone who’s seen a few series should be able to tell that difference intuitively.

    • You sir are a top tier commenter. FFXIII has never stopped being a waste of time regardless of defence articles. I feel like it’s the same hive mind that defends Star Wars prequels.

  • I liked the game a fair bit… I think I played it through twice.

    The big problem I had with the first 25 hours is that they play like a giant tutorial. So you’ll get a whole chapter where virtually every fight is focussed on specific tactics. teaching Snow to tank, for example.

    There are systems that appear to give you choice (levelling up, item upgrading) but you can’t actually control your character builds to any meaningful extent.

    So it’s great when it finally opens up and you can explore, find interesting fights, and really focus on your strategy, it just takes too long to get there.

  • The game is far from perfect, but I still enjoyed it for the most part. The combat system and some of the characters was what kept me going to the games’ end. I even liked XIII-2 & Lightning Returns so take that information as you will lol.

  • Trotting this article out again? I legit thought I was having deja vu, but nope, looking at the comments it was last aired out around March 10 2020. Today is April 20 2020. Really guys?

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