Australian Games Industry

While I’d already posted a small snippet of my long chat with Dean Hall about the success of Valheim and how Valve is going with talk of a New Zealand office, there was an awful lot of our chat left on the cutting room floor. How is Icarus coming along, exactly? And how has the studio fared over the last few years, given the difficulty Dean Hall famously had initially when first setting up the studio? How exactly does Icarus plan to deliver frequent content updates in a way that doesn’t cause staff to burnout? And why exactly was stone walls so difficult that the studio scrapped their entire art approach for them three separate times?